Music

Bass-Baritone Adam Gammie began his musical journey in Scotland before moving to London to study under Eamonn Mulhall at Trinity Laban Conservatoire of Music and Dance. Recent engagements include Count Almaviva and Antonio in Le Nozze di Figaro, Shakespeare in Trinity Laban’s Try Me Good King as well as chorus roles in Verdi’s Macbeth and La Traviata. As a member of the International Society for Metal Music Studies (ISMMS), Adam takes a keen interest in extended vocal techniques and combining classical vocals with other styles. Recent work includes Sensorium: metal music arranged for string quartet, choir and solo voices as well as Bridging the Gap, a research paper into the physiology and emotions that come with combining Bel Canto and extreme metal vocal techniques.